Publications + Papers

 
 

Publications

Editorial

Refereed Publications

Other Scholarly Publications

  • Klein, E (2004) ‘FreeNRG: Notes from the Edge of the Dance Floor’. Media International Australia incorporating Culture and Policy; (May 2004, number 111); Australian Key Centre for Cultural & Media Policy; Nathan, Qld.

  • Baes, J and Klein, E (2002) ‘Land Rights, Marginalisation and Ethnomusicology in the Philippines’. Perfect Beat: The Pacific Journal of Research into Contemporary Music & Popular Culture, (Volume 6, Number 1). Department of Contemporary Music Studies, Macquarie University.

Professional Publications

  • Klein, E (2014) UNE Music Performance Program Review and Redevelopment Proposal. University of New England, Australia. Internal Report.
  • Klein, E (2012) Opera Australia’s Oz Opera Educational Programs and the National Curriculum. Opera Australia. Internal Report.
  • Klein, E (2010) Report from Australian Music Futures Digital Distribution Think Tank 4: Identifying Ways to Increase Australia’s Performance in the Digital Music Sector. Music Council of Australia. Public Report.
  • Klein, E (2010) Report from Australian Music Futures Digital Distribution Think Tank 3: ISPs, Distribution, Promotion and Retail. Music Council of Australia. Public Report.
  • Klein, E (2009) ‘Music in Communities Network’. Music Forum Journal. Music Council of Australia. Article.
  • Klein, E (2008) ‘Post Genre World: Julian Knowles’. Cyclic Defrost Magazine (Issue 19). Cyclic Defrost; Sydney South, Australia. Feature Article.
  • Klein, E and Laing, O (2007) ‘Magic in Shadows: Max Richter’. Cyclic Defrost Magazine (Issue 15). Cyclic Defrost; Sydney South, Australia. Feature Article.
  • Klein, E (2005) ‘Gendering the DJ: Female Performers and the Alternative Electronic Music Scene’; Music Forum Journal; (August-October 2005: Volume 11, Number4); Music Council of Australia; Fitzroy, Vic. Feature Article.
  • Klein, E (2005) ‘Mobile Ambience or How the iPod Changed my Life’; Music Forum Journal; (May-July 2005: Volume 11, Number 3); Music Council of Australia; Fitzroy, Vic. Feature Article.
  • Klein, E (2005) ‘Noise, Beats and Femmes Absentes: Refining the Mutek Recipe in 2005, Montreal, Canada’; Cyclic Defrost Magazine; (Issue 12, September 2005); Cyclic Defrost; Sydney South, Australia. Feature Review.
  • Klein, E (2005) ‘Kevin Blechdom: Eat My Heart Out’; Cyclic Defrost; (Issue 12, September 2005); Cyclic Defrost; Sydney South, Australia. Review.
  • Klein, E (2005) ‘Floppy Disco (2004) Various Artists’; Music Forum Journal; (January-February 2005); Music Council of Australia; Fitzroy, Vic. Review.
  • Klein, E (2005) ‘The Art of Trance (2004) Jumping Jack’; Music Forum Journal; (January-February 2005) Music Council of Australia; Fitzroy, Vic. Review.
  • Klein, E (2004) ‘Frigidity: Scenes, Spaces and Places of Australian Electronica and Hip Hop’; Music Forum Journal; (September-October 2004: Volume 10, Number 6); Music Council of Australia; Fitzroy, Vic. Feature Article.
  • Klein, E (2004) ‘Invisible Atmospheres: Happenings and Missings in Australian Experimental Electronica’; Music Forum Journal; (July-August 2004: Volume 10, Number 5); Music Council of Australia; Fitzroy, Vic. Feature Article.
  • Klein, E (2004) ‘Late Set (2003), Dark Network’; Music Forum Journal; (May-June 2004: Volume 10, Number 4); Music Council of Australia; Fitzroy, Vic. Review

Conference Papers+ Public Lectures + Panel Discussions

Invited Keynote Addresses & Public Lectures

  • Process / Un-Process / Anti-Process: Leveraging Technology to Subvert Artistic Practice. Event: Process: A Sonic Forum, presented by Australian Music Vault, Arts Centre Melbourne, VIC, Australia, 14 October, 2017. 
  • Art, Making & Technology: Reconciling Practice, Academia, and Activism. Conference: The Annual Interactive Multimedia Performing Arts Collaborative Technology (IMPACT) Conference, Department of Music and Performing Arts Professions, New York University Steinhardt, New York, USA, 3-6 August 2016.
  • Having Difficult Conversations with your Audience. Event: Up Late Artists Storytellers Series for the Cindy Sherman Exhibition, QAGOMA, Brisbane, QLD, Australia, 30 September 2016.
  • Codextant: Medieval Immersions in New England.  Conference: Project, Process, Publication: Ideas and Intersections, School of Arts, University of New England, Armidale, NSW Australia, 19 August 2015. Performance/ lecture with the Australian Recorder Project. 

Conference Paper Presentations

  • Red River: Multimodal Storytelling from the Vernacular to the Mythic. Translational Research in Creative Practice Conference, University of Queensland, 19-21 April 2017.
  • Listening to Music Production Workflows: The Digital Audio Workstation as an Instrument within Listening Economies. IASPM ANZ Branch Conference 2016, Conservatorium of Music, Central Queensland University, 6 - 9 December 2016.
  • Counting 2015 – A Composer’s Perspective on Production. Classical Music 'Hyper-Production’ and Practice-As-Research Conference, London College of Music, University of West London, UK, 30 January – 7 February.
  • When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona. IASPM ANZ Branch Conference 2015, School of Music, The Australian National University, 4– 6 December 2015.
  • Counting 2015: An Exploration of Crowdsourcing and Collaborative Datasets in Composition. Creative Collaboratorium 2015, School of Music, University of Queensland, November 2015.
  • How Creative Practice Research Aligns with Future Work Skills. 2015 Annual National Council of Tertiary Music Schools (NACTMUS) Conference, School of Music, University of Queensland, 23-24 November 2015.
  • Convoluted Reverberations: Speculating on Realisms and Time-Based Audio Effects in Contemporary Sound Recording Practices. Back to the Future: Popular Music and Time--18th Biennial IASPM Conference, Universidade Estadual de Campinas, São Paulo, Brazil, 29 June – 3 July 2015.
  • Props on Stage: Using Haptic and Kinetic Control Devices to Empower the Opera Singer. 37th National Conference of the Musicological Society of Australia: The Charisma of Dissonance, University of Melbourne, Parkville, VIC, Australia, 29 November - 2 December 2014.  
  • Props on Stage: Using Haptic and Kinetic Control Devices to Empower the Opera Singer. The International Festival for Artistic Innovation; Leeds College of Music, Leeds, UK, 10-14 March 2014.x
  • Ambient Noise as a Compositional Aesthetic: Drawing Together Studio, Live and DIY Recording Practices; Music and Environment Symposium; University of Technology, Sydney, 26 April 2013.

  • Synthesising the Composer and Producer: Defining “Post-Classical” Music Style; Musicological Society of Australia Sydney Chapter Study Day; Sydney Conservatorium of Music, 20 April 2013.

  • Composing Flows: Technology, Recording and the Synthesis of Contemporary Popular and Classical Music Composition Practices; Shifting Sounds: Musical Flow- IASPM-ANZ 2012 Conference; University of Tasmania, 5-7 December 2012.

  • The Pomegranate Cycle: A Model of Self-Directed Opera Composition and Performance; Musicological Society of Australia 2012 Annual Conference: The Politics of Music; Australian National University, 3-5 December 2012. NB: Confirmation pending.

  • Technopera and Audience: Remixing Ariadne auf Naxos; Whose Music? Popularity, Industry and Property: International Association for the Study of Popular Music Australia / New Zealand Conference 2006; JMC Academy Sydney, Friday 23 June - Sunday 25 June 2006.

  • Weather Sirens: Performing Small Island Issues; 2nd International Small Island Cultures Conference, Norfolk Island Museum, February 9th–13th 2006.

  • Her Song; TechnoFeminisms: New Cultural Mediations; Presented jointly by the Canadian Women's Studies Association and the Consortium for Computers in the Humanities, University of Western Ontario, May 29th – 31st 2005.

  • Crafting the Natural Woman: Operatic Voice & Metaphorical Body; Body Modification Mark II; Department of Critical and Cultural Studies, Macquarie University, April 21st-23rd 2005.

  • “Quite a dilemma!” Musical Performance and Debate Concerning the Usefulness of the Maltese Language in Australia; 1st International Conference on Small Island Cultures; Kagoshima University Research Centre for the Pacific Islands, February 7th-10th 2005.

  • Femininity and Voice in Felicity’s ‘New Shadow’; Australian Institute of Country Music Studies Conference 2004; Australian Institute of Country Music, 28th August 2004.

  • Constructing Narratives of Community and ‘Home’:  Maltese-Australian Folk-music (Ghana) Performance in Melbourne; Symposium of the International Musicological Society; Monash University, 11th July 2004.

  • Maltese Australian Spiritu Pront Performance and Debates of Home; Migration Affect and the Senses Conference; Centre For Cross Cultural Research, Australian National University, 16th June 2004.

Discussion Panel Presentations

  • Creative Practice as Research Discussion Panel, Translational Research in Creative Practice Conference, University of Queensland, 19-21 April 2017.
  • Music and the Brain Discussion Panel, Brisbane Writers Festival, Queensland Museum, 10 September 2016.
  •  Sulcus Loci Closing Conversation, QAGOMA/ Asia Pacific Architecture Forum/ State Library of Queensland, 12 May 2016.
  • ERA Research Writing Panel, 2015 Annual NACTMUS Conference, School of Music, University of Queensland, 23-24 November 2015.

Public Showcases

  • UQ’s Creative Music Making Program and Ableton Live, 2016 Ableton University Tour, School of Music, University of Queensland, 9 May 2016.